Another MGM musical, pre-Freed Unit. Music by Bob Wright, Chet Forrest and Herbert Stothart (adapted from “Chanson” by Rudolf Friml); lyrics by Bob Wright and Chet Forrest, who would go on to adapt the music of Rimsky-Korsakov for the 1953 Broadway musical Kismet.
Two years earlier Allan Jones made a big splash as Kitty Carlisle‘s tenor squeeze in the Marx Brothers romp A Night At the Opera. Here he is in a clip on my YT channel movie-romancing a reluctant Jeanette MacDonald, who was smack in the middle of a fraught but passionate affair with a baritone with a thrilling voice and a black temper—Nelson Eddy, who, upon learning that Jones was putting the real-life moves on MacDonald, crashed the cast party of Firefly, collared Jones and beat him to a bloody pulp. Now that’s love.
Played the violin part in this in my junior high school orchestra. Liked it more than Bach. Above: “Donkey Serenade” by Oscar-winning MGM musical director, Herbert Stothart. Stothart, recently deceased, was paid tribute to by incoming MGM musical director Johnny Green in his 1954 MGM Jubilee Overture, the signature tune of my beloved John Wilson and his Orchestra.
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 1
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 2
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 3
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 4
"I'll Be Dead Before You Break My Heart" 