The Story So Far; Or, Conductor John Wilson—His Limits

Anyroad, like a good Dr Watson I have compiled a list:

JOHN WILSON – HIS LIMITS

John Wilson Rosza 2 copy

Knowledge of/affinity for/talent with:

  • English Light Music – Affinity natural; knowledge vast; repopularized Angela Morley, Malcolm Arnold, Arnold Bax, Edward Elgar, Edward German, Eric Coates, Robert Farnum, Hubert Parry, etc etc etc; recorded over a dozen albums of English light music with Naxos, etc
  • English Light Music, Gilbert & Sullivan Division – Creditably conducted Yeoman of the Guard in 2009 and Ruddigore in 2010 (my favorite G&S, as “Basingstoke” was the safeword my boyfriend and I used during bondage games); slated to conduct Trial by Jury spring 2019
  • Classical Repertoire – Special affinity for Rachmaninoff, Respighi, Copland (besides “Fanfare” who cares?) etc. Creditably conducted Beethoven’s Pastoral with the RTE in Dublin. Will follow my beloved in years to come to see if/how he does with Schoenberg (who was the most discussed composer when I was in music school), Szymanowski, Scriabin, Shostakovich, etc etc etc
  • Classical Repertoire, English Romantics Division – Creditably conducted Walton, Delius, Britten; deep affinity for Ralph Vaughan Williams (it’s that Sehnsucht, baby)
  • Opera – Creditably conducted Madame Butterfly for the 2016 Glyndebourne tour; creditably conducted Porgy and Bess fall 2018 at the English National Opera; slated to conduct Massenet’s La Cendrillon at Glyndebourne summer 2019
  • Film Music – Creditably conducted “British Film Music” for the 2007 Proms; transcribed by ear complete MGM “lost” movie musical scores including The Wizard of Oz, Meet Me In St Louis and Singin’ In the Rain, resulting in 350+ pieces of programmable material (for the Proms, for example)—many of which are now of course part of the John Wilson Orchestra repertoire—while the complete scores are now available to orchestras worldwide for symphonic and live-to-screen concerts
  • Big Band/Big Swing – In his early 20s John cut his teeth on this type of music, starting with his stints conducting his Royal College/Royal Academy colleagues in the afternoon tea dance at London’s famed-for-its-tea-dances hotels, the Grosvenor House and Royal Park (Times music critic Clive Davis gave the young students a “golden”—John’s word—review), plus The Boatyard, a trendy restaurant in Essex; recorded 8 albums for Vocalion; nominated for Grammy 2005 for the soundtrack of the biopic Beyond the Sea (which is really the first time I heard the JWO but didn’t know it)
  • Jazz – John has absolutely no idea what jazz is, yet recorded a thoroughly awful and dishonest album entitled Orchestral Jazz
  • Broadway and the Great American Songbook – DON’T get me started here. I’m going to be blogging about this.

All the rest is just Cantara trying to sort out where bonny John fits into her inner life. Which as it turns out is in every nook, every cranny…

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