We can thank composer-arranger Kay Swift, composer of “Fine and Dandy” and George Gershwin’s married secret lover, for making sure this song found its perfect setting in this 1947 20th Century Fox musical after his untimely death ten years earlier.
Castles were crumbling And daydreams were tumbling December was battling with June But on this bright afternoon Guess I'll be changing my tune
Above Kay Swift and her secret love: Barbara Cook and Tony Perkins sing “Changing My Tune” in Ben Bagley’s legendary recording series of deep Broadway cuts.
“When someone in the story is famous, every moment of his existence has, for people who care, an aura of significance, and there will always be people with a quasi-authority who think they know things they could not possibly know, simply because they have a lot of information and curiosity and a sense of entitlement to “the truth” about George Gershwin, as if sufficient obsession and possession of a lot of verifiable facts can earn both entitlement to and knowledge of the unknowable.”
from The Memory of All That (Broadway Books, 2012)
by Katharine Weber, Kay Swift’s granddaughter
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 1
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 2
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 3
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 4
"I'll Be Dead Before You Break My Heart" 