I have a lot of toasty warm affection for this underrated movie (which I saw second-run in Minneapolis the summer before I started music school), not least because of Hungarian-born Miklós Rózsa‘s score, which he based on his Violin Concerto, op 24.
Robert Stephens as the great detective and Genevieve Page as his latest client. Yes, that’s Sherlock Holmes embracing a beautiful, nude, warm and willing woman while heroically subduing his id.
This is Austrian-born Wilder and Romanian-born Diamond at their best, examining—through impish Hollywood eyes, of course—that weird combination of emotional reticence and superciliousness that makes English men just sooo attractive. Their great detective, however, turns out in the end (not to give anything away) to be a lonely man, unsophisticated, profoundly vulnerable, and something of a loser. Stephens’s highly original performance makes his my favorite Holmes of all.
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”