Another weekend doddle while I work on John Wilson: An English Conductor.
Here’s a blast from the past. When The Kid was still in my belly, Mr Grumble and I managed to get the sublet on a 3-room apartment in the East Village, which we upgraded a few months later to a 4-room with renewable 2-year lease for $250 a month. Yes. Only two hundred and fifty smackers a month. Which means we could make it on theatrical gigs and more-than-occasional temp work, even after paying $60 a week to Maxine Wilkes, God bless her memory, for taking him every weekday, 7:30am – 6:00pm, to play/be fed/hang out with her other charges and the rest of her large brood in their enormous 8-room $110(!) a month apartment in the Campos Plaza project 3 blocks away. That project, I recall, had the cleanest, best-kept playground in the neighborhood (not stinky like the one in Tompkins Square Park, for example) and little one learned to walk, then run, in that yard. Was grateful to Our Lady every day to be able to bring the Bograt over to such a nice place—warm, messy, safe, and good-hearted.
Anyway, on the weekends we had him all to ourselves, and would take The Kid—Boggy, his name was then—around with us bar-hopping. Trendy Holiday Lounge on St Mark’s and Downtown Beirut on 2nd… Vazac Hall on Avenue B, which made an appearance on Edward Woodward’s TV show The Equalizer… And that other Polish bar over on 7th, the Blue & Gold. All with the greatest jukeboxes… [more later]

- No Surrender / Bruce Springsteen, 1984
- Karma Chameleon / Culture Club, 1983
- Life In a Northern Town / Dream Academy, 1985
- Don’t Stop Believin’ / Journey, 1981
- Girls Just Want to Have Fun / Cindi Lauper, 1985
- Never Gonna Give You Up / Rick Astley, 1987
- Everybody Wants to Rule the World / Tears for Fears, 1985
- Sushi Girl / The Tubes, 1981
- I Still Haven’t Found What I’m Looking For / U2, 1987
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 1
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 2
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 3
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 4
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