My bonny John was 30 when he recorded, with the orchestra that bears his name, this achingly tender theme.
I saw The Bad and the Beautiful (MGM, 1952) for the first time in New York when I was 20, at one of those great cinema art houses, the Little Carnegie I think. Anyone remember that fabulous nosh pit in the lobby of the Little Carnegie? It was set up to resemble an outdoor Parisian cafe, complete with wrought tables and chairs, painted scenery, etc… Here after the show my date treated me to a glass of cabernet and a flaky meat pasty, the leftovers of which the waiter wrapped up for me in a square of foil he molded into the shape of a swan.
What do you do when you’re a passionate actress still in love with a wounding bastard who’s a screen genius? You make the damn movie.
As for Bad+Beautiful: Cast headed by Lana Turner, Kirk Douglas, Gloria Grahame, Dick Powell, Barry Sullivan, Gilbert Roland, Walter Pigeon. Vincent Minnelli helmed. MGM, 1952. 5 Oscar wins. To feel the full effect, get your heart stomped on by a Hollywood louse before viewing.
“The Bad and the Beautiful”
Soft Lights and Sweet Music, album
Classic Angela Morley Arrangements
The John Wilson Orchestra
John Wilson, conductor
*Oscar-winning transsexual composer-arranger Angela Morley (1924-2009) has quite a story herself, which maybe I’ll get to in another posting. For now, here’s a 1977 article in the Independent that should whet your interest.
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”