That snooty critic fart Andrew Sarris once mock-praised my old boss Rouben Mamoulian for his early cinema innovations that never quite caught on. But for me this scene in Love Me Tonight (1932) is memorable—never seen a filmed musical number take the straight-into-the-camera point of view for first the singer then singee. It’s just adorable, and I don’t think any other director has done this.

MacDonald Love Me TonightThat’s the 1932 Victor recording above of Chevalier singing “Mimi”, with the Paramount Studio Orchestra conducted by Nat Finston.

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