It was just the other night I had a fever dream, running a 101-degree temperature and twisting the sheets, not longing for my beloved John Wilson this time, but trying to fight off an infection. When I finally made it into sweet sweaty sleep I was immediately taken into a strange scenario where, for God knows what reason, I was expected to conduct, with no rehearsal, Australian composer Brett Dean’s tribute to the doomed Soviet cosmonaut Vladimir Komarov, in front of an audience of 200-800 (the crowd kept stealthily increasing), among whose number were members of the orchestra I couldn’t tell apart and no one was helping me. Being a dream, there were other factors and factors conspiring to keep me from conducting the damn piece: the string section turned into one fella carrying a zither that turned into a floor harp; the stage manager was nowhere to be found and I was expected to run the lights as well; no one would give me a copy of the score. When I yelled out, “Okay, who’s got the tinfoil?” it was then I woke up.
Above John: Simon Rattle conducts the Berlin Philharmonic in Brett Dean’s “Komarov’s Fall”.
Update 6 March 2019: I just read about composer Brett Dean’s diagnosis of coronavirus. Now I wonder what that weird flu-like infection I had was.
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”
"I'll Be Dead Before You Break My Heart" 