That snooty critic fart Andrew Sarris once mock-praised my old boss Rouben Mamoulian for his early cinema innovations that never quite caught on. Hah! When’s the last time you were so proud of your old boss’s work you wanted to make sure the world never forgot it? So—here’s the most audacious musical film sequence ever directed, which magically links up the movie’s two singing stars Maurice Chevalier and Jeannette MacDonald:
Above the lovebirds: Ella Fitzgerald sings this Richard Rodgers+Lorenz Hart perennial, which was scaled down from its operetta length for inclusion in The Great American Songbook.
And if you’re still in doubt about Mamoulian’s genius, check out this opening scene which I uploaded especially for my bonny John Wilson for the beat:
“City Wakes”
from Love Me Tonight
Rouben Mamoulian, director
Nat Finston, music director-arranger
If I had seen Love Me Tonight before I went to work for The Old Man I would’ve been more patient with him. But I was only 23.
The entire film Love Me Tonight is available on my YT channel here
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 1
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 2
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 3
- Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah and Filipinos Will Save Western Music, Part 4
Astonishing. It shows the exuberant self-confidence of creative artists at the top of their game. Don’t you love the princessy way MacDonald trills her R’s?
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