At the intermission talk with Cendrillon‘s director Fiona Dunn, my beloved John Wilson, mezzo Kate Lindsey, and soprano Danielle de Niese, the topic of debate was, What should Prince Charming look like in the 21st century?


AVAILABLE NOW: The Glyndebourne production of CENDRILLON streamcast at Marquee.tv


John Wilson Glyndebourne 1Above John making namaste at the premiere of Cendrillon at Glyndebourne, 2019: “Vous êtes mon prince charmant” from Act III of Massenet’s comic opera.


Says John to the lovelies (here pictured): “I think having Prince Charming as Massenet stipulated, it fits beautifully within the whole kind of sonic picture of the whole thing. It’s not a piece that you could say fits on one musical plane, it’s got lots of colors. It’s one of the most colorful pieces he ever wrote… When I said I was doing this piece to people, they would say, Oh yeah, that’s a nice light sort of sweet little piece. It’s not a sweet little piece, it’s a big piece, there’s always another layer to get to and there’s always more detail to explore, always more depth every time. It’s not lightweight…”


EXTRA! The most John Wilsonish piece in Cendrillon.

“Marche des princesses”
from Cendrillon, Act IV
Jules Massenet, composer
Academy of St Martin in the Fields
Neville Marriner, conductor
Capriccio, 1997



[all tags]

3 thoughts on “Conductor John Wilson Among the Women of Glyndebourne’s Cendrillon by Jules Massenet, 2019

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s