John Wilson Conducts the Antwerp Symphony Orchestra in a Concert of American Classic Film Scores, 18 September 2021

If you can get over to Belgium, this’ll be almost as good as the The John Wilson Orchestra at the BBC Proms. Performing at the 5 year-old, acoustically perfect, 2000-seat Queen Elisabeth Hall in Antwerp, the Antwerp Symphony Orchestra under John’s baton will be offering a Saturday evening filled with old favorites:

Kim Criswell, vocalist

How about making a little party out of it? And if you get over there, tell John I said hello.



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Venera Gimadieva Sings Salammbo’s Aria by Bernard Herrmann, Backed by The John Wilson Orchestra (BBC Proms, 2013)

Gimadieva made her UK debut at the Proms with John and the John Wilson Orchestra in their program Hollywood Rhapsody, which included pieces by my favorite screen composer Bernard Herrmann. I’ve been a fairly knowledgeable fan of Herrmann since my teen years, but somehow I never got around to hearing the entire aria until—yes! yes! are you getting bored hearing this again?—I fell in love totally and completely with English conductor John Wilson and craved to hear all the music that he is part of. To my delight, he backed this brilliant singer well.

I'd be jealous except she's such a wonderful singerAbove my bonny John making nicey-nice with a soprano for once: “O cruel!” (Salammbo’s aria) from the film Citizen Kane. Herrmann planned to write an entire opera based on this scandalous Flaubert novel but, daunted by the task, as Mussorgsky and Rachmaninoff before him, never got around to it.


And for good measure, here’s Gimadieva doing Donizetti’s “O luce di quest anima” with The Hallé the way I’d like to have sounded in my last trimester jury at music school.


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John Wilson and The John Wilson Orchestra at the BBC Proms, the Royal Albert Hall, 26 August 2013: The Complete Concert of Hollywood Rhapsody Including “Casablanca”

Disappointing to hear that John won’t be doing Britten’s The Turn of the Screw at Wilton’s Music Hall in London this month. So, to cheer everybody up, here’s the full 2-hour program of my John and The John Wilson Orchestra at the Proms, 2013. That’s Jane Monheit, John, and Matt Ford below.


DAMN! UPDATE 16 JAN 21: Both DailyMotion and BiliBili have DELETED this video of the complete 2013 BBC concert! If I find it again I’ll reinstate the link. (Links to selections available on YT are in red.)


As a compensation, here are ALL the other, complete JOHN WILSON AT THE BBC PROMS available on my blog:


John Wilson Orchestra BBC Proms 2011 (Monheit, Ford)

The full program of 2013 (with remarks as they come to me):


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The Tippett Quartet Play Bernard Herrmann’s Psycho at Kings Place, London, 2011

Most people* seem to discount the idea that Bernard Herrmann’s score for Psycho is actually a near-perfect work for strings (given that it was written exclusively for strings anyway) and that, given the right setting, is a very listenable chamber piece that doesn’t need to reference the film. Here’s the Tippett Quartet performing this arrangement by Richard Birchall at Kings Place, 2011.

Tippett Quartet PsychoJohn Mills, Jeremy Isaac, Lydia Lowndes-Northcott, and Bozidar Vukotic: the London-based Tippett Quartet.

* Like Mister Grumble. This is the second-most heated debate** between us: whether or not movie music (for narrative films not musicals) can be considered truly concert-worthy.

** (The most heated debate between us is whether Oswald did it or not. This one gets us both really het up, as one of us has a slight connection with the actual case.)

The leader of the Tippitt Quartet (circa 2011), John Mills, is also the leader of The John Wilson Orchestra to date.


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Bernard Herrmann at the Royal Albert Hall, Doris Day Screams

This is what the greatest film composer of the 20th century looks like conducting the London Symphony Orchestra in the Royal Albert Hall (2:24). From Alfred Hitchcock’s The Man Who Knew Too Much (Paramount, 1956). This is a chorale entitled “The Storm Clouds Cantata” arranged by Herrmann and composed by Australian Arthur Benjamin specifically for the movie.

bernard-herrmann


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Obsession, Directed by Brian De Palma and Scored by Bernard Herrmann

Saw this first run in New York in 1976 with my boyfriend, another huge Brian De Palma fan. The loopiest, nuttiest romance in all of moviedom. In fact I like this movie better than Vertigo, another nutzoid Bernard Herrmann-scored love story: this one’s much more sexually transgressive, always a sure-fire turn-on for me.

Obsession 03

Here’s the giddily overwrought ending. If you haven’t seen Obsession it’s not going to make any sense, so just close your eyes and listen to Herrmann’s ravishing score, the next-to-last one he ever wrote before his death at the age of 64.


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