John Wilson and The John Wilson Orchestra at the BBC Proms, the Royal Albert Hall, 2013: The Full Program of Hollywood Rhapsody

Was bummed out to hear that John won’t be doing Britten’s The Turn of the Screw at Wilton’s Music Hall in London this month so to cheer everybody up, here’s the FULL 2-HOUR PROGRAM of my John and The John Wilson Orchestra at the Proms, 2013. That’s Jane Monheit, John, and Matt Ford below.

John Wilson Orchestra BBC Proms 2011 (Monheit, Ford)


The entire BBC Proms concert Hollywood Rhapsody with the The John Wilson Orchestra is available here.


 

  • 20th Century Fox Fanfare (from the studio, 1933) / Alfred Newman
  • Street Scene (from the 1931 film; Sam Goldwyn/United Artists) / Alfred Newman
  • “Confetti” (from Forever, Darling; MGM, 1956) / Bronislaw Kaper
  • Laura (suite; from the 1944 film; 20th Century Fox, 1944) / David Raksin
  • Psycho: A Narrative for String Orchestra (from the 1960 film; Paramount) / Bernard Herrmann
  • Salammbo’s Aria (from Citizen Kane; RKO, 1941) / Bernard Herrmann (with Russian soprano Venera Gimadieva)
  • The Adventures of Robin Hood (from the 1938 film; Warner Bros) / Erich Korngold
  • 25-MINUTE INTERVAL In which my beloved John, at 41 years old back in 2013, pours out his hopes and dreams.
  • The Big Country (from the 1958 film; United Artists) / Jerome Moross
  • Casablanca (suite from the film; Warner Bros, 1942) / Max Steiner, Schneckenburger, Wilhelm, de Lisle, Herman Hupfeld
  • SONG MEDLEY:
    – “An Affair to Remember” (from the 1957 film; 20th Century Fox) / Harry Warren, Leo McCarey (the film’s director), Harold Damson
    – “Something’s Gotta Give” (from Daddy Long Legs; 20th Century Fox, 1955) / Johnny Mercer
    – “Young at Heart” (from the 1955 film; Warner Bros) / Johnny Richards, Carolyn Leigh
    – “It’s Magic” (from Romance On the High Seas; Warner Bros, 1948) / Jule Styne, Sammy Cahn
    – “The Tender Trap” (from the 1955 film; MGM) / Jimmy Van Heusen, Sammy Cahn
    – “My Foolish Heart” (from the 1949 film; Samuel Goldwyn/RKO) / Ned Washington, Victor Young
    – “Three Coins in the Fountain” (from the 1954 film; 20th Century Fox) / Jule Styne, Sammy Cahn
    – “Love is a Many-Splendored Thing” (from the 1955 film; 20th Century Fox) / Sammy Fain, Paul Francis Webster
    – “That’s Amore” (from The Caddy; Paramount, 1953) / Harry Warren, Jack Brooks
    – “Que Sera, Sera” (from The Man Who Knew Too Much; Paramount, 1956  / Jay Livingston, Ray Evans
    – “All the Way” (from The Joker is Wild, 1957; Paramount) / Jimmy Van Heusen, Sammy Cahn
  • A Place In the Sun (suite from the 1951 film; Paramount) / Franz Waxman
  • Tom and Jerry (from the MGM cartoons; 1940-58) / Scott Bradley
  • Ben-Hur (suite from the film; MGM, 1959) / Miklós Rózsa

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The Tippett Quartet Play Bernard Herrmann’s Psycho at Kings Place, London, 2011

Most people* seem to discount the idea that Bernard Herrmann’s score for Psycho is actually a near-perfect work for strings (given that it was written exclusively for strings anyway) and that, given the right setting, is a very listenable chamber piece that doesn’t need to reference the film. Here’s the Tippett Quartet performing this arrangement by Richard Birchall at Kings Place, 2011.

Tippett Quartet PsychoJohn Mills, Jeremy Isaac, Lydia Lowndes-Northcott, and Bozidar Vukotic: the London-based Tippett Quartet.

* Like Mister Grumble. This is the second-most heated debate** between us: whether or not movie music (for narrative films not musicals) can be considered truly concert-worthy.

** (The most heated debate between us is whether Oswald did it or not. This one gets us both really het up, as one of us has a slight connection with the actual case.)

The leader of the Tippitt Quartet (circa 2011), John Mills, is also the leader of The John Wilson Orchestra to date.

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Bernard Herrmann at the Royal Albert Hall, Doris Day Screams

This is what the greatest film composer of the 20th century looks like conducting the London Symphony Orchestra in the Royal Albert Hall (2:24). From Alfred Hitchcock’s The Man Who Knew Too Much (Paramount, 1956). This is a chorale entitled “The Storm Clouds Cantata” arranged by Herrmann and composed by Australian Arthur Benjamin specifically for the movie.

bernard-herrmann

 

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Obsession, Directed by Brian De Palma and Scored by Bernard Herrmann

Saw this first run in New York in 1976 with my boyfriend, another huge Brian De Palma fan. The loopiest, nuttiest romance in all of moviedom. In fact I like this movie better than Vertigo, another nutzoid Bernard Herrmann-scored love story: this one’s much more sexually transgressive, always a sure-fire turn-on for me.

Obsession 03

Here’s the giddily overwrought ending. If you haven’t seen Obsession it’s not going to make any sense, so just close your eyes and listen to Herrmann’s ravishing score, the next-to-last one he ever wrote before his death at the age of 64.

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