My Bonny John Wilson and His Eponymous Orchestra Present The Warner Bros Story at the BBC Proms 9 August 2019

From The JWO website: “John Wilson and The John Wilson Orchestra present The Warner Bros Story, an evening of sumptuous Technicoloured scores from the Golden Age of Hollywood cinema. Friday 9 August 2019 3.00pm & 7.30pm at London’s Royal Albert Hall. Tickets go on sale at 9am for Prom 29 and 30 on Saturday 11 May. Royal Albert Hall Box Office: 020 7589 8212. The evening show will be live on BBC Radio 3 and recorded for future broadcast on BBC Radio 2.”

Claire of the John Wilson Fan Club says for me to tell you all that reserved tickets for both shows are still available as of 16 Jun 2019. (Bloomsday! That’s luck.)

Bugs as Leopold.jpgLeopold! Leopold!

But “Technicolored”—sheesh. (Do you write your own copy, John my love? I truly hope you don’t.) At any rate, here are the numbers culled from the BBC site, John’s management’s website and the Irish News [updated 16 June 2019]:

  • The Sea Hawk (suite?; from the 1940 film) / Erich Korngold
  • “We’re In the Money” (from Gold Diggers of 1933 / Harry Warren, Al Dubin
  • “The Desert Song” (from the 1953 film) / Sigmund Romberg, Oscar Hammerstein II
  • The Treasure of the Sierra Madre (excerpts; from the 1948 film) / Max Steiner
  • “The Old Man and the Sea” (suite?; from the 1958 film) / Dmitri Tiomkin
  • “Seventy-Six Trombones” (from The Music Man (1962)  / Meredith Willson
  • “Blues in the Night” (from Blues In the Night, 1941) / Harold Arlen, Johnny Mercer
  • My Fair Lady (songs from the 1964 film) / Frederick Loewe, Alan Jay Lerner
  • Now, Voyager(!!!) (suite?; from the 1942 film) / Max Steiner
  • The Deadwood Stage(!!)” (from Calamity Jane, 1953) / Sammy Fain, Paul Webster [as a tribute to Doris Day]
  • “It’s Magic” (from Romance on the High Seas, 1948) / Jule Styne, Sammy Cahn* [the BBC doesn’t say so, but probably ditto for this tune as well, since Doris did sing this in the picture, to a goofy grinning Jack Carson as I remember]
  • A Streetcar Named Desire (excerpts; 1951) / Alex North
  • Camelot (songs from the 1967 film) / Frederick Loewe, Alan Jay Lerner
  • “Days of Wine and Roses” (from Days of Wine and Roses, 1962) / Henry Mancini, Johnny Mercer
  • The Constant Nymph (excerpts; from the 1943 film) / Erich Korngold

Additionally, the Irish News announced the addition of

  • “Born In a Trunk” (from A Star is Born, 1954) / Roger Edens, Leonard Gershe [in a nod to the movie’s latest remake]

*Ah, Sammy Cahn, that altekocker. I rode up in an elevator with him and Warner Bros cartoonist Robert Clampett once and had nothing to say to him; at the time Cahn was siding with management and against us ASCAP solfeggists when we tried to unionize. So I just stood there quietly, listening to the both of them natter on to each other about their respective accomplishments. “And I wrote that Jackie Gleason song!” exclaimed Cahn, while Clampett was adamantly proud of Tweety Bird, and rightly so.

Pre-Code Thrillers and the First Porn Movie I Ever Did, Part 2

I booked my first acting gig as a result of getting into a bondage game with that guy from England with the hot tub. Pe—sorry, think I’ll call him Basingstoke* from now on—and I were fooling around in his sex dungeon when he asked me if the place was giving me any story ideas. This is how movies are born.

I told him it reminded me of one of my favorite flicks from the golden Pre-Code days, The Mask of Fu Manchu (MGM 1932), starring Boris Karloff as Fu Manchu and Myrna Loy as his “ugly and insignificant” daughter, Fah Lo See. With Karen Morley, Charles Starrett, etc etc and a cast of literally hundreds of male extras of various types. Was especially partial to the oiled and muscular mamelukes.

mask of fu manchuFah Lo See watches with lust-crazed eyes as her dad turns the handsome English adventurer into her zombie love slave. What’s not to like?

Part 1 here.
Part 3 to come…

*All in affection, Peter.