John Wilson and The John Wilson Orchestra at the BBC Proms, the Royal Albert Hall, 2013: The Full Program of Hollywood Rhapsody

Was bummed out to hear that John won’t be doing Britten’s The Turn of the Screw at Wilton’s Music Hall in London this month so to cheer everybody up, here’s the FULL 2-HOUR PROGRAM of my John and The John Wilson Orchestra at the Proms, 2013. That’s Jane Monheit, John, and Matt Ford below.

John Wilson Orchestra BBC Proms 2011 (Monheit, Ford)The entire BBC Proms concert Hollywood Rhapsody with the The John Wilson Orchestra is available here.

  • 20th Century Fox Fanfare (from the studio, 1933) / Alfred Newman
  • Street Scene (from the 1931 film; Sam Goldwyn/United Artists) / Alfred Newman
  • “Confetti” (from Forever, Darling; MGM, 1956) / Bronislaw Kaper
  • Laura (suite; from the 1944 film; 20th Century Fox, 1944) / David Raksin
  • Psycho: A Narrative for String Orchestra (from the 1960 film; Paramount) / Bernard Herrmann
  • Salammbo’s Aria (from Citizen Kane; RKO, 1941) / Bernard Herrmann (with Russian soprano Venera Gimadieva)
  • The Adventures of Robin Hood (from the 1938 film; Warner Bros) / Erich Korngold
  • 25-MINUTE INTERVAL In which my beloved John, at 41 years old back in 2013, pours out his hopes and dreams.
  • The Big Country (from the 1958 film; United Artists) / Jerome Moross
  • Casablanca (suite from the film; Warner Bros, 1942) / Max Steiner, Schneckenburger, Wilhelm, de Lisle, Herman Hupfeld
  • SONG MEDLEY:
    – “An Affair to Remember” (from the 1957 film; 20th Century Fox) / Harry Warren, Leo McCarey (the film’s director), Harold Damson
    – “Something’s Gotta Give” (from Daddy Long Legs; 20th Century Fox, 1955) / Johnny Mercer
    – “Young at Heart” (from the 1955 film; Warner Bros) / Johnny Richards, Carolyn Leigh
    – “It’s Magic” (from Romance On the High Seas; Warner Bros, 1948) / Jule Styne, Sammy Cahn
    – “The Tender Trap” (from the 1955 film; MGM) / Jimmy Van Heusen, Sammy Cahn
    – “My Foolish Heart” (from the 1949 film; Samuel Goldwyn/RKO) / Ned Washington, Victor Young
    – “Three Coins in the Fountain” (from the 1954 film; 20th Century Fox) / Jule Styne, Sammy Cahn
    – “Love is a Many-Splendored Thing” (from the 1955 film; 20th Century Fox) / Sammy Fain, Paul Francis Webster
    – “That’s Amore” (from The Caddy; Paramount, 1953) / Harry Warren, Jack Brooks
    – “Que Sera, Sera” (from The Man Who Knew Too Much; Paramount, 1956  / Jay Livingston, Ray Evans
    – “All the Way” (from The Joker is Wild, 1957; Paramount) / Jimmy Van Heusen, Sammy Cahn
  • A Place In the Sun (suite from the 1951 film; Paramount) / Franz Waxman
  • Tom and Jerry (from the MGM cartoons; 1940-58) / Scott Bradley
  • Ben-Hur (suite from the film; MGM, 1959) / Miklós Rózsa

 

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Directed by My Old Boss, Rouben Mamoulian: “Mimi” by Rodgers & Hart, Sung by Maurice Chevalier to Jeanette MacDonald in the 1932 Paramount Musical Love Me Tonight

That snooty critic fart Andrew Sarris once mock-praised my old boss Rouben Mamoulian for his early cinema innovations that never quite caught on. But for me this scene in Love Me Tonight (1932) is memorable—never seen a filmed musical number take the straight-into-the-camera point of view for first the singer then singee. It’s just adorable, and I don’t think any other director has done this.

MacDonald Love Me TonightAbove Jeanette: That’s the 1932 Victor recording above of Chevalier singing “Mimi”, with the Paramount Studio Orchestra conducted by Nat Finston.

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Directed by My Old Boss, Rouben Mamoulian: Applause, Starring Helen Morgan (Paramount, 1929)

Legendary torch singer Helen Morgan (she was the original mulatto Julie in Jerome Kern’s Showboat) was only 28 when she played the washed-up headliner mother of a chorus girl in this early, early talkie (19-freakin-29!!!) which benefits from an excellent sound recording. Filmed over at the Astoria Studio in Queens. Note Mamoulian’s penchant for symbolism: Morgan’s poster like the Holy Madonna hovering over her daughter and daughter’s sweetheart; the rolled-up curtain on the bannister posing as Death. When I saw this shot it hit me then what a genius The Old Man actually really was.

Applause can be viewed here in its entirety.

Applause Ending

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Directed by My Old Boss, Rouben Mamoulian: “Isn’t It Romantic?” by Rodgers & Hart, Ultimately Sung by Jeanette MacDonald in Love Me Tonight (Paramount, 1932)

The most audacious musical film sequence ever directed and you should watch it when you hear it. If I had seen Love Me Tonight (here available in its entirety) before I went to work for The Old Man I would’ve been more patient with him.

Isn’t it romantic
Music in the night, a dream that can be heard
Isn’t it romantic
Moving shadows write the oldest magic word

Love Me Tonight.jpgAnd dig that not-too-obvious Eros aiming his love arrow at Jeanette MacDonald and Maurice Chevalier. That’s the great Ella Fitzgerald singing above the lovers.

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Directed by My Old Boss, Rouben Mamoulian: Marlene Dietrich Sings “Happy Birthday, Johnny” from The Song of Songs (Paramount, 1933) Just for My Bonny John Wilson, Conductor

25 May, 2019. This afternoon someone in Glyndebourne will be cutting my beloved John Wilson’s cake into tiny little slices, and so I wish them all well at the gathering.

The Song of Songs
La Dietrich inspires a handsome young English orchestra conductor to artistic heights with her transfiguring and deeply sexual love in this erotically frank Pre-Code movie from Paramount. If only you understood dirty German, my bonny…

A special shout-out to my old boss Rouben Mamoulian, who once told me, “Love with style, but also with a little sadness for the suffering involved.”

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