Hollywood Soundstage; or, John Wilson and the Sinfonia of London Play Orchestral Music from the Movies (Chandos, 2022)

Love this cover. Actually, it’s kind of sophisticated.* Look! It has the magic words “Hollywood” and “John Wilson” and nothing more need be said. Now I know what to get for Christmas for my other old lady friends.

Hollywood SoundstageAbove: John conducts the Sinfonia of London in Frederick Loewe’s “Embassy Waltz” from My Fair Lady.
  • Erich Korngold: Elizabeth and Essex
  • David Raksin: Laura
  • Harold Arlen+Herbert Stothart: The Wizard of Oz
  • Max Steiner: Now, Voyager
  • Frederick Loewe: My Fair Lady
  • Johnny Mandel: The Sandpiper
  • Franz Waxman: Rebecca
  • Alfred Newman: How to Marry a Millionaire

RELEASE DATE: 9 SEPTEMBER 2022

*Actually, I think that’s Musical Director Johnny “Two-Harps” Green and the MGM Orchestra.


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My Beloved Conductor John Wilson’s Concert Schedule 14 September 2022 Through 25 June 2023

After wading through the unsurprising reviews of John’s 16 July concert at the Royal Albert, thought I’d list his upcoming performances:

Above: I’m afraid nothing on this list arouses my delight except the Martin-Blane standard, “Love”, here suavely sung by the co-composer himself, Ralph Blane; kickass arrangement by Ralph Burns, who 6 years later orchestrated Richard Rodgers’s No Strings.


The dates link to the ticket sites. The other highlights link to available recordings.

Wed 14 September 2022 19:30
Göteborgs Konserthus
Gothenburg, Sweden
Gothenburg Symphony Orchestra
Leonard Elschenbroich (cello)

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Thu 15 September 2022 19:00
Vara Konserthus
Vara, Sweden
Gothenburg Symphony Orchestra
Leonard Elschenbroich (cello)

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Sat 26 November 2022 19:30
Symphony Hall Birmingham
Birmingham, United Kingdom
Sinfonia of London
Martin James Bartlett (piano)

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Fri 2 December 2022 19:30
Barbican
London, United Kingdom
Sinfonia of London
Alice Coote (mezzo-soprano)

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Sun 4 December 2022 19:30
Theatre Royal and Royal Concert Hall
Nottingham, United Kingdom
Sinfonia of London
Martin James Bartlett (piano)

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Thu 5 January 2023 17:00
Stockholm Concert Hall
Stockholm, Sweden
Royal Stockholm Philharmonic Orchestra
Kim Criswell (vocals)

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Thu 9 March 2023 19:30
Caird Hall
Dundee, United Kingdom
Royal Scottish National Orchestra
Timothy Orpen (clarinet)

  • George Gershwin: Cuban Overture
  • Aaron Copland: Clarinet Concerto
  • Sergei Rachmaninoff: Symphonic Dances

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Fri 10 March 2023 19:30
Usher Hall
Edinburgh, United Kingdom
Royal Scottish National Orchestra
Timothy Orpen (clarinet)

  • George Gershwin: Cuban Overture
  • Aaron Copland: Clarinet Concerto
  • Sergei Rachmaninoff: Symphonic Dances

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Sat 11 March 2023 19:30
Glasgow Royal Concert Hall
Glasgow, United Kingdom
Royal Scottish National Orchestra
Timothy Orpen (clarinet)

  • George Gershwin: Cuban Overture
  • Aaron Copland: Clarinet Concerto
  • Sergei Rachmaninoff: Symphonic Dances

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Wed 7 June 2023
Queen Elizabeth Hall
London, United Kingdom
Orchestra of the Age of Enlightenment

  • WS Gilbert & Arthur Sullivan: Princess Ida

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Sat 24 June 2023 20:15
The Concertgebouw
Amsterdam, Netherlands
Netherlands Philharmonic Orchestra
Howard McGill (saxophone)

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Sun 25 June 2023 14:15
The Concertgebouw
Amsterdam, Netherlands
Netherlands Philharmonic Orchestra
Howard McGill (saxophone)



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My Beloved John Wilson’s Concert Schedule 6 March Through 16 July 2022, Plus an Update on That E-album About an English Conductor

To those of you patiently awaiting the release of my text+audiolinks album JOHN WILSON AN ENGLISH CONDUCTOR: I’m taking the time to refine my observations about John’s artistic path. Anyone who knows me from A POET FROM HOLLYWOOD: LOVE, INSANITY, STEPHEN GYLLENHAAL, AND THE CREATIVE PROCESS knows this is my real bag.

Ah, there’s the man whose every gesture makes my heart beat faster.

Meanwhile, here’s his concert schedule—including his appearance with the Royal College—for the next few months (with links to music):

John’s schedule for 5 November 2021 to 18 February 2022 can be found on my posting here.

Sun 6 March 2022 20:00
Berliner Philharmonie
Berlin, Germany
DSO Berlin

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Thu 17 March 2022 19:30
Royal College of Music
London, UK
Royal College of Music Symphony Orchestra

(Note: John ill, replaced by Martin Andre)

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Fri 8 April 2022 19:00
Sheffield City Hall
Sheffield, United Kingdom
BBC Philharmonic Orchestra
Louis Lortie (piano)

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Sat 9 April 2022 19:30
The Bridgewater Hall
Manchester, United Kingdom
BBC Philharmonic Orchestra

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Thu 21 April 2022
The Bridgewater Hall
Manchester, United Kingdom
Halle Orchestra

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Fri 20 May 2022 19:30
Usher Hall
Edinburgh, United Kingdom
Royal Scottish National Orchestra
Louis Schwizgebel (piano)

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Fri 21 May 2022 19:30
Glasgow Royal Concert Hall
Glasgow, United Kingdom
Royal Scottish National Orchestra
Louis Schwizgebel (piano)

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Sat 16 July 2022 18:30
Royal Albert Hall
London, United Kingdom
Sinfonia of London
Adam Walker (flute)



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John Wilson Conducts the Sinfonia of London + Royal Academy of Music Symphony Orchestra in Richard Strauss’s “Metamorphosen” and Gives Me a Perfect Screenshot, 23 October 2020

I don’t know what I did to please the gods but on this 2020 October morning, somehow, I took a perfect screenshot of John conducting, while watching the (UK time) 7:30pm performance of the Royal Academy of Music (Finzi, Strauss). “Metamorphosen” is from his new album on Chandos.

Screening Room, SF 1979Above my beloved John, who I’m pleased to have captured as crisply and revealingly as Robert Elswit with his pic of Jake and Stephen Gyllenhaal (Steve’s gift to me): Himself conducting the Sinfonia of London in Strauss’s “Metamorphosen” (Chandos, 2022).

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For Valentine’s Day, 2022: My Desired and Beloved John Wilson Conducts the Sinfonia of London in Maurice Ravel’s Bolero, 1928 (Chandos, 2022)

Imagine Ida Rubenstein, who commissioned this late work from the old man, dancing to it in private…not to her lover, but to the portrait of her lover, to which she can be just as revealing as she pleases…

I can be as revealing as I please, John (remember what I used to do for a living?). Happy Valentine’s Day, mi amor.

I see you like this, John, and I’m a puddle of goo. Above: My number one stroke song. In case you missed it, you mooks, that’s Bolero up there, Maurice Ravel’s 1928 one-movement orchestral piece, played by the Sinfonia of London and conducted by the man I love, John Wilson, for Chandos records, February 2022.

Additional texts in PDF:



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Following My Beloved John Wilson’s Concertizing 5 November, 2021 Through 18 February, 2022

Including his appearance at the Royal Academy and his January tour with the National Youth Orchestra of the Netherlands:


Fri 5 November 2021 19:30
National Concert Hall
Dublin, Ireland
RTE National Symphony Orchestra
Peter Moore, trombone

[full audio of this concert here and below—click any title]

[program notes here]

Sat 20 November 2021 19:30
Snape Maltings, United Kingdom
Sinfonia of London
Pavel Kolesnikov, piano

The Arts Desk in their review of this concert described the Sinfonia as “bold John Wilson’s latest super-orchestra, an army of technicolor generals”.

Sat 21 November 2021 19:30
Snape Maltings, United Kingdom
Sinfonia of London

Wed 1 December 2021 14:15
Birmingham, United Kingdom
City of Birmingham Symphony Orchestra
Nina Feng, violin

Sat 22 January 2022 20:15
De Doelen
Rotterdam, Netherlands
National Youth Orchestra of the Netherlands

Sun 23 January 2022 15:00
Concertgebouw De Vereeniging
Nijmegen, Netherlands
National Youth Orchestra of the Netherlands

Tue 25 January 2022 21:00
Muziekgebouw Frits Philips Eindhoven
Eindhoven, Netherlands
National Youth Orchestra of the Netherlands

Wed 26 January 2022 20:00
Theater & Congres Orpheus
Apeldoorn, Netherlands
National Youth Orchestra of the Netherlands

Thu 27 January 2022 21:00
TivoliVrendenburg
Utrecht, Netherlands
National Youth Orchestra of the Netherlands

Fri 28 January 2022 20:15
TivoliVredenburg
Utrecht, Netherlands
National Youth Orchestra of the Netherlands

Sat 29 January 2022 20:00
Theater Kerkrade
Kerkrade, Netherlands
National Youth Orchestra of the Netherlands

Sun 30 January 2022 14:15
Amare
Den Haag, Netherlands
National Youth Orchestra of the Netherlands

Wed 9 February 2022 19:30
St David’s Hall
Cardiff, United Kingdom
Philharmonia Orchestra
James Ehnes, violin

Wed 10 February 2022 19:30
Royal Festival Hall
London, United Kingdom
Philharmonia Orchestra
James Ehnes, violin

Fri 18 February 2022 19:30
Royal Academy of Music
London, United Kingdom
Royal Academy of Music Symphony Orchestra

Click on any of the titles below to access/download the entire audio of John’s 18 Feb 2022 RAM concert. Find the compete video on YT here.



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Conductor John Wilson, the Sinfonia of London, and Classic Composer Erich Korngold: My Beloved John’s 4 September 2021 Concert at the BBC Proms, London

6 September, 2021. Labor Day. (Bosses 2 – Labor 1) I suspect a few people in the UK might lately be visiting here as part of their Monday morning getting-into-gear ritual, so apologies for the lateness of this new posting, but I had to make the potato salad. Mister Grumble likes my potato salad.

Another reason for the delay: I needed to see what John was wearing for this radio concert, because the work clothes my bonny chooses to wear for any particular program always convey a meaning to me—so I had to wait for his picture (forget the bullshit reviews) to come out in The Guardian or The Independent… As you can see below, he was attired in a simple concert tuxedo, which I truly hope was comfortable. (Still wore his lucky cufflinks, though.)


John and SinfoniaAbove: Erich Korngold’s Symphony in F, Conducted by John Wilson and played by the Sinfonia of London, BBC Proms, September 2021.

The importance of John Wilson’s white tie and concert tailcoat. This is what I couldn’t determine during the early days of my passion for John: Whenever he wore the tailcoat at the Proms conducting The JWO, his fancy showtunes orchestra, I wondered, was it because he was following in the historically deep tradition of maestros (Bernstein, Barbirolli etc) in dignified full dress…or was it just part of the show? So when John eschewed the tailcoat for his very important 4 September “Viennese” concert at the Royal Albert—where he could have so easily camped it up—this is what his choice said to me:

This music is serious. This presentation is serious. Spectacle doesn’t apply here. Sentimentality doesn’t apply here. Pay attention to the music! An assured, masterful bit of programming—not just some splashy entertainment, but a true, potentially life-changing encounter with Art. For only ten bucks a bottom-price ticket, I understand. I hope you Brits appreciate what you have.

John, dearest: It was only quite recently that I decided the satisfaction I get, devising interesting fantasies about making love to you in full dress (in my imagination we’re both in our work clothes, you in your tailcoat, me in my sarong), belongs best in a particular narrow stream of writing that has nothing to do with the way I regard you in real life: as a fellow artist I’d enjoy exchanging energies with. So, hooray for your concert blue suit, your concert tuxedo, your rehearsal T-shirt, all of which remind me that an actual human being strives and pulses behind the baton to create something beautiful.

Which brings us to the concert program. I don’t know the Berg so I’ll let that one alone, except to say the soprano has a nice strong tone. The Zemlinsky encore? You clever lad. Your Ravel waltz is as tight as when you conducted it at the Royal College, here even more ravishing coming from a full orchestra. I’d also get a kick reading your markings for Strauss’s Die Fledermaus Overturehave never quite heard those musical values brought out before. Very yummy.


NOTES for Korngold: Symphony in F (Chandos, 2019) can be found here.


The third movement of Erich Korngold’s Symphony in F. The Mister and I have exchanged a few strong words on this subject; however, since one cannot talk reason to a woman in love, I’m not going to include his remarks here. It’s a wonder that this single movement can bring out such contentiousness among people, even in someone like Mister Grumble, who wouldn’t’ve given a fig for Korngold if I hadn’t rediscovered Korngold through my wanton passion for conductor John Wilson and all the music that surrounds him. Even Leonard Bernstein and his protegee, John Mauceri, couldn’t agree: read my earlier post ”Leonard Bernstein Hears Korngold’s Symphony in F-sharp for the First Time”[going off to make dinner, spaghetti with chicken-tomato sauce, back asap]



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John Wilson Conducts the Sinfonia of London, 4 September 2021 at the BBC Proms in the Royal Albert Hall in a Debut of Erich Korngold’s Symphony in F-sharp

For you fans, here’s the program for the 4 September, 2021 concert:

Francesca Chiejina, vocalist

John Wilson in PicadillyAbove Mister Personality: The Big Band medley from the BBC’s Swingin’ Christmas with The John Wilson Orchestra. List of tunes in the medley can be found on my blog posting, “My Beloved John Wilson Conducts The John Wilson Orchestra in a Swingin’ Christmas on BBC2, Christmas Day 2010”.



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My Beloved Conductor John Wilson and His Hottest Recordings for Chandos, Plus a Few of His Signature Tunes Recorded with The John Wilson Orchestra

Recorded for the Chandos label:

Recorded with The John Wilson Orchestra:



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John Wilson Conducts the Royal Academy of Music Symphony Orchestra in Barber, Delius and Ravel, July 2021

Recorded at the Duke’s Hall, Royal Academy of Music, 2 July 2021. Found the donation window, incidentally. Back in January, 2020 after we heard John conducting them in Tchaikowsky I said to Mister Grumble, ‘That was as good as any small-city orchestra in the US. I’d’ve paid cash money for this,’ and darned if the RAM didn’t just make my life a little easier. Here it is.

Chocolate kisses for my John and a promise to teach him how to make s’mores when the time is right. Above: 2 July 2021 concert at the RAM, in full.

To continue from my earlier posting, “My Beloved John Wilson Appointed to the Henry Wood Chair of Conducting at the Royal Academy of Music and Conducts the RAMSO in Arnold Schoenberg’s ‘Verklärte Nacht’ (1899) at Snape Maltings, 6 June 2021”: We talked over beers, Mister Grumble and I, about John’s energy, among other things, a couple of weeks ago. After we toasted Bloomsday, he gave me his take on John and John’s music. Mister G isn’t as enamored of John Wilson’s enormous and varied repertoire—from Broadway tunes to Rachmaninoff to Turnage—as I am, but he has many good things to say about my beloved conductor’s basic character. I described to him (my angel baby is blind) how differently John looks and acts when he’s with the RAM, or the Sinfonia of London or the Royal Northern Sinfonia. Less tense, more in control, more in his element—happier. Plus he doesn’t sweat as much as on the stage of the Royal Albert. ‘Then this is where he belongs,’ said Mister Grumble.

EXTRA! Download PDF of Feb 2020 issue of Gramophone with John’s interview that mentions the Sinfonia of London here.

Program:

Cassandra Wright, soprano



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On BBC Radio 4 Front Row, 21 August 2019: Conductor John Wilson and Biographer Brendan Carroll on Korngold

An excerpt from John’s comments:

Front Row: What’s so enthralling to you about the music of Erich Korngold?

John: It’s very much his own style… You hear two seconds of music and immediately you know it’s by Korngold because by the way he was 13 or 14 he had a fully developed late-Romantic Austro-German style and, you know, had it not been for the Nazis and the Second World War he would have continued to develop his operatic skills, his symphonic skills, and he would now be as established as Richard Strauss…

John and the Sinfonia of London Do KorngoldAbove John, Andrew Haveron, John Mills, and other members of the Sinfonia of London: Front Row Interviews John Wilson at the top half.


Front Row: What made you choose the particular pieces [for the Chandos recording] that you did?

John: I think the Symphony, Korngold’s Symphony in F-sharp, is the last great Austro-German romantic symphony and…it was written 1947 to 52, it took 5 years, and…I think it was the piece that Korngold spent, lavished the most time on. I think it was the piece that he felt was he felt he really had to write because it was a labor of love… And you know, he couldn’t get a satisfactory performance out of it during his lifetime because he was considered old hat…and in 1972 I think it was, it was discovered in the Munich orchestra’s library and the first recording performance given… And I just felt that the time had come for a revised sort of conception of this symphony of Korngold’s.

I Moderato
II Scherzo Allegro
III Adagio Lento
IV Allegro Finale

NOTES for Korngold: Symphony in F (Chandos, 2019) can be found here.



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My Darling John Wilson Conducts The John Wilson Orchestra in a Semi-Staged Concert of My Fair Lady at the Royal Albert Hall, BBC Proms, 14 July 2012

Completely bummed out that John’s 21 January concert with the LSO at the Barbican was completely canceled, so here’s my bonny lad at the 2012 BBC Proms with his eponymous orchestra in a really classy semi-staged concert of the complete 1956 Broadway musical, My Fair Lady, book and lyrics by Alan Jay Lerner and music by Frederick Loewe; orchestration (for the movie score) by Andre Previn, orchestration enhancement by John Wilson. Cast: Anthony Andrews, James Fleet, Alun Armstrong, Julian Ovenden etc, and as Eliza, Annalene Beechey.

[download pdf album here]

EXTRA! John Wilson and the Sinfonia of London play the Embassy Waltz from their new album, Hollywood Soundstage (Chandos, Sep 2022).



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My First Music: John Wilson Conducts the National Youth Orchestra of Great Britain in 2015, the BBCSSO in 2018, and the Sinfonia of London in Ottorino Respighi’s “The Pines of Rome” (Chandos, 2020)

My beloved John conducted the National Youth Orchestra of Great Britain (who The Guardian described as “a fearless young army on the move”) in “The Pines of Rome” by Respighi in Leeds in 2015; and in Glasgow, where he’s been the Associate Guest Conductor for several years, with the BBC Scottish Symphony Orchestra in 2018. Now he’s rounding out his association with this perennial orchestra piece with a wonderfully crisp and sparkling new recording from Chandos with the new Sinfonia of London.

I classify this under My First Music because I first heard this symphonic poem in a broadcast of a Young People’s Concert. Leonard Bernstein conducted, the NY Philharmonic played. Listen for the feet of Roman soldiers along the Appian Road, my affectionately-remembered rabbi of music suggested. I think I was 11.

john-wilson-and-the-nyogb2

NOTES for “Respighi: Rome” on Chandos available here. John rehearsing the NYOGB in The Appian Road, summer 2015. Above John: The Villa Borghese.


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Ralph Vaughan Williams’s “Greensleeves” Conducted by Sir John Barbirolli and Some Natter Between My Beloved John Wilson and Edward Seckerson; Plus Monty Python, Round the Horne and Polari

Sorry for my shaky handwriting but while listening to this I had a fantasy that gave me the giggles: John being interviewed by my favorite ohne palones—prime purveyors of the gay-gypsy-theatrical patois called polariJulian and Sandy. Played of course by the inimitable Hugh Paddick and Kenneth Williams on Round the Horne. (This more-than-usual musical episode of Kenneth Horne’s 1967 radio show also includes Rambling Syd Rumpo, the Fraser Hayes 4 singing off-key not on purpose, and the screamingly funny takeoff skit, “Young Horne with a Man”.)

Now John, I know that you know, and I know that you know that I know, that my long-distance lovemaking to you is being observed by a few; not many, just a few. So this rundown is for them, love:

In this very-recently posted pod chat with London-based culture maven Edward Seckerson, John talks about his idol, conductor Sir John Barbirolli; von Karajan; Leonard Bernstein; French romantic music of the early 20th century; conducting Massenet at Glyndebourne; reviving the Sinfonia of London; winning that BBC thingie for his Korngold Symphony (and confirming what I surmised in my review re his “austere” sound vs “chocolate sauce”); his other Korngold recording, the violin concerto, also with son vieil ami Andrew Haveron; Richard Rodney Bennett‘s compositional journey of self-discovery; and what we’re all waiting for, what’s up with The John Wilson Orchestra (seems like that psychic flash I had back in April has proven true).

Here are the main points I took away from this podcast: “What I do try to do as a conductor is carry my sound around with me… It’s almost—I don’t really feel comfortable talking about because you know music is basically a doing thing and not a talking thing… My deepest musical creed is wrapped up with how an orchestra sounds…” Which pretty much confirms what I’ve suspected these two years about him.

John, light of my life, fire of my loins, I respect your process.


Cantara's Beloved Conductor John WilsonAbove: John’s 44-minute podcast interview. Below, “Greensleeves” as we’ve all heard it on Monty Python.


Fantasia on “Greensleeves”
Ralph Vaughan Williams, composer
Barbirolli Conducts English String Music
RCA, 1963 first issue
The Sinfonia of London
John Barbirolli, conductor

23 JUNE UPDATE: Here’s Barbirolli again from that same album conducting Ralph Vaughan Williams’s Fantasia from a Theme by Thomas Tallis, which my beloved John Wilson will be conducting The Phiharmonia Orchestra in, in an online concert on 17 July.

EXTRA! Here are 2 interviews with John from BBC 2 Radio: one (8 min long) from 24 April 2016 with Michael Ball, and one (4 min long) from 4 November 2013 with Steve Wright.


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