…The other conducted by John Mauceri in 2006 with the Nashville Symphony & Chorus, in a production based (in part) on the original score markings of composer George Gershwin:
“For those who are familiar with the score, the very opening will seem slower. It is clear from Gershwin’s metronome markings and from the articulations in the orchestral parts that he intended the opening to be moderately fast (marked ‘Risoluto e Ben Marcato’ in the composer’s hand), exposing its inner syncopation and then accelerating. ‘Summertime’ is faster than we are accustomed. It is not a sad song, after all, and ‘A Woman is a Sometime Thing’ is slower. In fact, these two ‘lullabies’ by the mother and the father of their nameless child, are at the same metronome marking. In other words, Gershwin wanted to link the daddy and the mommy to each other by the speed of their music, even if their words and styles are quite (humorously) different.” On Porgy & Bess ©John Mauceri
Anthony Tommasini in his New York Times review of the English National Opera’s production of Porgy and Bess described my bonny as the “excellent John Wilson, who led a performance that had sweep, shape and vitality, as well as rarer qualities: precision and restraint”. Here’s our John from this past summer rehearsing “Summertime“. Performances of ENO’s Porgy and Bess run to 17 November.
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”
- Read my small writing on MEDIUM here
- Free pdf of my book JOHN WILSON: AN ENGLISH CONDUCTOR here
- Free pdf of my memoir re the Gyllenhaals A POET FROM HOLLYWOOD here
- Free pdf / epub of my romantic backstage comedy FEET ON THE GROUND here
- Free pdf of my screenplay BOLDEN: THE UNTOLD STORY OF JFK’S ASSASSINATION here
Above Cebuana New York-based soprano Evelyn Mandac (b 1945), who remains one of my role models (listen to her float over the fifth movement), the only Filipino singer ever to play the Met: 
"I'll Be Dead Before You Break My Heart" 