Some while ago there was a story in an erotic horror collection called “Full Dress” which was about a formal tailcoat that turns its wearer into an insane monster. Eventually it gets worn by a struggling young conductor, and the usual King-type bloodletting evolves (“It’s not you, it’s the coat!!!” shrieks the pretty soprano, right before said conductor plunges his baton into her neck).
For some reason that came into to my mind. But just so you don’t go on thinking this is some kind of fanblog (really, I’m not a fan*, just crazy in love with the bloke) I thought I’d spend a posting to tell you all how I got my first gig in pictures.
Immaculate white full dress shirt with detachable wing collar, white dickey, white bow tie, white waistcoat, studs, cufflinks, suspenders, striped trousers, and a spare tailcoat in the dressing room—my bonny lad is set
This happened in San Francisco—in the 70s a paradise for the sexually adventurous—and coming after the time I worked as classic film director Rouben Mamoulian’s amanuensis, which was after the time I posed nude for a blind sculptor in St-Paul-de-Vence, which was after the time I danced topless in a mob-run bar in Red Hook, which was after the time I was the night solfeggist at ASCAP…
So anyway. One lovely summer evening about six weeks after I hit the city I went with a (legit) actress friend to a house party up on Potrero Hill, mostly because she enticed me with the information that the party would be featuring a hot tub. (Am such a pushover for hot tubs.) Well, at the party there was this cute but obvious older guy from London (trimmed ginger beard, open shirt, bead bracelet—no one goes California like the English) named Paul, who owned the house and who invited me seulement for a session of coke+quaaludes and a nice soak later, after all the other guests have left. Then he gave me his card. (This was only the second time a man ever gave me his business card before we had sex, and it wouldn’t be the last)…
Part 2 “Zombie Love Slave” here.
Part 3 “Sausalito Hot Tub” here.
Part 4 “Lovelace” here.
*No, really, I’m in love with John but he plows through Gershwin like a bull moose and treats Bernstein like Bernstein’s Saruman and he’s Frodo. How could any red-blooded American woman countenance such effrontery to her national pride?**
**He does, however, conduct Elgar and Vaughan Williams like an angel.
Free pdf of my book JOHN WILSON: AN ENGLISH CONDUCTOR here.