John Wilson Conducts Ralph Vaughan Williams’s Symphony No 6, Royal Concert Hall, Nottingham, 15 January 2020

Back in 2018 John conducted Symphonies 1 and 2; in 2019 he did the 3rd, the 4th, and the tranquil 5th, and this year, 2020, on 15 January, he’ll be conducting Vaughan Williams’s fairly atypical 6th with the BBC Philharmonic (in a program that includes “In the Fen Country”, also by Vaughan Williams) in Nottingham (according to his management website; the BBC says it’s Salford).

This is the first truly important piece of the year for my beloved conductor. I’m listening right now to Roger Norrington and the San Francisco Symphony perform it, trying to discern the tricky bits John might find challenging.

John Wilson at DoorAbove the picture of John I stole from him: Norrington and the San Francisco Symphony Orchestra play the enire Symphony No 6, 1997. Roger Norrington is the conductor who believes in using no vibrato. “Wobble” he calls it.

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Bradley Creswick, Leader of the Royal Northern Sinfonia, Discusses Vaughan Williams’s “The Lark Ascending”

This is the group my beloved John Wilson wished a happy birthday to, and it’s a truly worthwhile one: The Royal Northern Sinfonia has an outstanding record in community outreach in the northeast of England. It’s pleasing to think that bonny John had a childhood filled with such musical memories—makes me recall my girlhood days hanging around Northrop Auditorium and the Minneapolis Symphony, now the Minnesota Orchestra. (Will tell all about my Vietnam War-era music school/protest days sometime.)

Royal Northern Sinfonia Leader Bradley CreswickBradley Creswick at the upstairs hall at The Sage, the Royal Northern Sinfonia’s permanent home in Gateshead, on the south side of the river from Newcastle. That’s the Tyne and the Tyne Bridge out the window.

Royal Northern Sinfonia is a British chamber orchestra, founded in Newcastle upon Tyne and currently based in Gateshead. For the first 46 years of its history, the orchestra gave the bulk of its concerts at the Newcastle City Hall. Since 2004, the orchestra has been resident at The Sage, Gateshead. In June 2013 Her Majesty Queen Elizabeth II bestowed the title “Royal” on the orchestra, formally naming it the Royal Northern Sinfonia.

The vid above doesn’t have the entire Vaughan Williams, so here’s my Tyneside lad conducting this exquisite piece:

The Lark Ascending”
Made in Britain, album
Ralph Vaughan Williams, composer
Royal Liverpool Philharmonic Orchestra
John Wilson, conductor
Avie Records, 2011

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John Wilson, Conductor Wishes the Royal Northern Sinfonia a Happy 60th Birthday, 3 December 2018

John Wilson and Royal Northern Sinfonia

Oh John honey. You’re a sweetheart to do this when you’ve barely unpacked.

John conducted Ralph Vaughan Williams’s Symphony No 5 in D major with the Royal Northern Sinfonia at The Sage in his home town of Gateshead 1 March 2019.

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At the End of the Year 2018: While I Still Have Conductor John Wilson In My Head

I’m still finding it mighty strange that John was born on the same day as my father’s final birthday, in 1972—on the 25th of May, which would make them both Geminis—but somehow it starts to make sense: There’s John of the BBC and Eric Coates and Ralph Vaughan Williams and the tra-la-boomy-boom that makes up English music; and then there’s John of the big-shouldered swaggering sweating bombastic vibrant American tune book. One (when he plays it well) makes me want to cook him a nice lamb stew with pearl onions swimming in the rich gravy; the other (again, when he plays it well, which is almost always) makes me want to—well, I was in The Business, you know, use your imagination.

John Wilson Album
Low Fell Lad Makes Good

Only don’t be too sure which is which. Like I said, John almost always plays the music of his own country and heritage well, with a deep feeling that’s irresistible; whereas when he works out the great American tunes it turns out more often to be hit-and-miss, with many many many more misses than hits.

But oh! When he does hit!

When bonny John and his orchestra play “Get Happy” or “The Trolley Song” or “June Is Bustin’ Out All Over” or the MGM Jubilee Overture—or the absolute best of the lot, “Slaughter On Tenth Avenue“—it’s freakin’ heaven, and I’m not the only one to say this. Subtlety is not this lad’s forte when it comes to the American popular repertoire. But when John goes big, bright, busy and loud when the number actually calls for it, screams out for it, it’s so damn satisfying when he does it and does it brilliantly that I want to—how can I put this?—do something for my darling in gratitude…make him a nice meal…fatten him up a little… (Ess, kind, ess!)

For right now, though, I’ll settle for a natter on a quiet afternoon, rather not in London, maybe when you get up to Gateshead again, back to The Angel of the North

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Ralph Vaughan Williams Conducts His Symphony No. 5, 1952

This recording was made off-air by a sound engineer using state-of-the-art recording equipment for the time that used rare and expensive long-playing acetate disks. The symphony was first performed in June 1943 (at the height of the blitz) but this recording captures a later performance in September 1952. There are four movements: Preludio 0:00 Scherzo 11:40 Romanza 16:40 Passacaglia 26:42.

Ralph Vaughan Williams, 1956.jpg

My beloved John Wilson conducted this symphony with the Royal Northern Sinfonia at The Sage in his home town of Gateshead in March 2019.

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Conductor John Wilson’s First Appearance in the Royal Albert Hall, British Film Music, BBC Proms, 2007

My beloved John Wilson’s very first time on the podium in the Royal Albert was not with his eponymous orchestrathat was in 2009but, at age 35, conducting the 50-piece BBC Concert Orchestra in their program, “British Film Music” (entire program available here in 14 parts). First up is William Walton‘s* score from the unseemly gorgeous (all blue skies and puffy white clouds) 1969 war picture Battle of Britain. “Battle in the Air” (in part 1 @1:20) is spirited, ravishing and very dramatic. I saw the film first-run back home in Minneapolis, then again a few years later in London and then again in, of all places, Patras, Greece, but it’s the music I remember most.

John Wilson Battle.jpegYes love, that overtone did seem to go on forever, didn’t it?

Here’s the entire program:

  • Battle In the Air” from Battle of Britain (1969) / William Walton
  • Suite from Anna Karenina (1948) / Constant Lambert
  • Prelude from The 49th Parallel (1941) / Ralph Vaughan Williams
  • Waltz from Genevieve (1953) / Larry Adler
  • Theme from Lawrence of Arabia (1962) / Maurice Jarre
  • Suite from The Red Shoes (1948) / Brian Easdale
  • March from The Bridge On the River Kwai (1957) / Malcolm Arnold
  • Love Theme from Yanks (1979) / Richard Rodney Bennett
  • Medley from the Carry On film series (1958-1992) / Eric Rogers (arr Sutherland)
  • Overture from Much Ado About Nothing (1993) / Patrick Doyle
  • “Shakespeare In Love” from the film (1998) / Stephen Warbeck
  • Suite from Wilde (1997) / Debbie Wiseman
  • “Chicken Run” from the film (2000) / John Powell, Harry Gregson-Williams
  • “Shadowlands” from the film (1993) / George Fenton
  • “A Bridge Too Far” from the film (1977) / John Addison
  • “Harry’s Wondrous World” from the Harry Potter film series (2001-2011) / John Williams
  • March from The Dam Busters (1955) / Eric Coates

Cynthia Fleming, leader. Philip Achille, Cynthia Millar, soloists. Maida Vale Singers, chorus. Richard E Grant, host. Appearance by Sir Richard Attenborough.

** Because of his advanced age, Sir William Walton turned to friend Sir Malcolm Arnold for assistance with the orchestrations (which Arnold supplied, as well as writing additional cues). Harry Saltzman rejected the score, saying it wasn’t long enough. Ron Goodwin (who composed for Where Eagles Dare) wrote the replacement score, but Sir Laurence Olivier threatened to have his name removed in the credits if none of Walton’s original was used. For this reason, Walton’s original music for the “Battle In the Air” sequence was used in the climactic closing of the film.

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The Story So Far; Or, Conductor John Wilson—His Limits

Anyroad, like a good Dr Watson I have compiled a list:

JOHN WILSON – HIS LIMITS

john-wilson-rosza-2-copy.jpeg

Knowledge of/affinity for/talent with:

All the rest is just Cantara trying to sort out where bonny John fits into her inner life. Which as it turns out is in every nook, every cranny

Part 1 “Dopamine” here or above.

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